Showing posts with label Belgian Malinois paintings. Show all posts
Showing posts with label Belgian Malinois paintings. Show all posts

Wednesday, April 26, 2017

Another Belgian Malinois Portrait Painted in Oil!


Simone, Rango, and Jesse
Belgian Malinois Portrait, Private Commission
16 x 20 oil on canvas
Carole Rodrigue ©2017
SOLD 


These beauties were a private commission for a client in Texas.  They are Belgians, even though they look a bit different.  Jesse, the dog on the left, is a rescue and it's suspected that her jaw is off from having been hit by a car or something else in her previous life.  She certainly has a wonderful life now!

I can't stress how delighted I was to paint this trio.  Each is so beautiful and have such distinct personalities showing through.  It was important for me to not only capture detail, but their essence.  Painting Malinois and German Shepherds is becoming a regular request and I do not mind one bit!

I am now working on a beautiful cat for a return client.  Having clients come back to get more artwork done is the greatest compliment that my clients can give me!  I'm honoured to create these custom pet portraits from photos for my clients.  I can understand how special these paintings are to people, and I strive to give 100% every time.

My cat portrait will be posted once approved by the client, so perhaps next week.  :-D

Also, if you have been looking for your special custom pet portrait, whether it's of your dog, cat, horse, or other pet, you can contact me at www.carolerodrigue.com and use the Contact sheet.  There is also a page for commission info listing all the prices.  Please don't hesitate to contact me for your pet portrait painted in oil or pastel.  

Wednesday, March 29, 2017

Luna, Belgian Malinois Portrait Painted in Oil


Luna, Belgian Malinois Portrait 
11 x 14 Oil on Canvas
Carole Rodrigue ©2017
SOLD


Everyone, this is Luna, a gorgeous Malinois with such beautiful haunting eyes that I wanted to paint her so that the eyes were the focus.  For this reason I used a dark background.  All of the comments I've received about this painting have been about the eyes, so mission accomplished!

Luna is the second Belgian Malinois painting I've recently completed and I am now working on another Malinois commission, this time with THREE dogs!  I'm really humbled and honoured that people are liking my Malinois paintings and I'm fortunate to be getting these requests by Malinois owners.  It is such a joy to paint these dogs and I look forward to painting many, many more!

Stay tuned for another Belgian Malinois portrait coming soon!


Thursday, February 23, 2017

Belgian Malinois Portrait


Shelby, Belgian Malinois
16 x 20 Oil
© 2017 Carole Rodrigue
SOLD


Everyone, meet Shelby, a beautiful Belgian Malinois I was fortunate enough to have been commissioned to paint.

When I was asked to paint her, I was given several reference photos.  They were all great references, good lighting, most outdoors with natural light, and high resolution so I could see the details.  This particular reference sang to the artist in me, however.  For an artist, the light is always the most important aspect of a painting, or it should be, even more than detail.  You can have a very detailed, realistic, and . . .  boring painting. If the light doesn't grab you, no matter how technically perfect and detailed a painting may be, you'll soon be bored with it if there's no mood or magical light.  This painting reference had everything, therefore this was the one I suggested to the client and am I ever happy she went along with my suggestion!

I've had so many people tell me they thought this was my best painting yet.  What I know for sure is that they were gripped by the lighting. They might not realize it, but I know beyond a shadow of a doubt that the light is what grabbed their attention.  Details are secondary.  I could've omitted all of the fine hair details and painted a loose painting and still had the same reactions.

It's the lighting folks, the lighting.  Details are important in a reference in order to get the true personality of the pet, and especially the eyes, perfect, but the lighting is what will make people's heart sing.

I'm posting a photo below of a few progress shots.  As always, I started with a toned canvas.  I toned with with turpentine and burnt umber, then wiped clean after a few minutes.  This needed to be completely dry before proceeding with my sketch transfer.

Once the sketch was transferred, I started painting outlines with burnt umber again, and then gradually building up my layers, letting each dry in between.  The finer details are always saved until the very end, except for the eyes.  Like most artists, I like to paint the eyes in at the beginning, this way I know if I've already go the likeness and then can proceed safely with the rest of the painting.    It's safe to say over 40 hours were put into this piece, although not all at the same time.  It took about one month to complete between drying times.  I then varnish with Gamvar.  They have a new matt varnish that will be used on this, eliminating shine.  This is my favorite varnish since it can be applied once the painting is dry to the touch and the deepest parts don't sink in when you push with your nail. Since I paint in thin layers, this is a quick process once dry.

I hope you enjoyed this one and now I'm getting ready to paint a wildlife scene as well as a Husky commission.  I've also got a couple more Malinois commissions lined up as well once the Husky is completed.  Until next time . . .



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